The Metropolitan Opera: Samson et Dalila

2018 |  Francie  |  122 minut
The Metropolitan Opera: Samson et Dalila
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A towering biblical epic, Saint-Saëns’s operatic take on the story of Samson and Delilah has many of the hallmarks of grand opera—show-stopping vocal displays, thrilling choruses, and an engrossing plot set against a sweeping, pseudo-historical backdrop. It’s fitting, then, that Samson et Dalila has been chosen to celebrate the opening of the Met’s season four times in the company’s history, including when Darko Tresnjak’s bold new production premiered on the first night of the 2018–19 season. A few weeks later, the opera was shown as part of the Met’s series of live cinema transmissions, featuring an exceptional cast. Tenor Roberto Alagna was the heroic Samson, who ultimately falls victim to the seductive power of Dalila—the captivating mezzo-soprano Elīna Garanča. Bass-baritone Laurent Naouri sang the sinister High Priest of Dagon, with conductor Sir Mark Elder on the podium.

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  1. Samson (Roberto Alagna)
    Dalila (Elina Garanca)
    First Philistine (Tony Stevenson)
    Self - Conductor (Mark Elder)
    Hebrew (Dmitry Belosselskiy)
    Second Philistine (Bradley Garvin)
    Self - Host (Susan Graham)
    Samson (Roberto Alagna)
    High Priest of Dagon (Laurent Naouri)
    Dalila (Elina Garanca)
    Philistine Messenger (Mark Schowalter)
    Abimélech (Elchin Azizov)

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The Metropolitan Opera: Samson et Dalila

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