Overstimulated by flamboyant props and distracted by extravagant queens pacing up and down the rooms and corridors, one easily forgets the 18th-century country house serving as the backdrop in Tadzio. Yet this imposing bourgeois mansion was the starting point of it all, as well as the only constraint the directing duo of the short film had to consider. An eminent Dutch cultural critic, Els Hoek, challenged several artists to feature this particular place in an audiovisual artwork. She provided them with a generous budget and left them to do the rest. Three films emerged from her idea – Tadzio among them.

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