A few takes of Barbara Stanwyck and Fred MacMurray, a scene from Billy Wilder’s Double Indemnity, are the starting point for Picture Again: a woman and a man in a car, the murderess and her prey. The images in this sequence are accompanied and superimposed by documentary street scenes from Berlin and Madrid. A few birds flutter like birds of prey through an old horror film. Picture Again values a thorough structuralist formation, musical rhythm of the images, without refraining from the ecstatic.

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