Particularly in the ’70s and early ’80s, Ingo Petzke was a force to reckon with. This was mostly due to his effervescent, encompassing activities in the arena of experimental film: writing and teaching, starting art house cinemas and even festivals, sitting on juries and boards, running CINE PRO – Germany’s only distribution company specialised in experimental film – and even funding cash prices for budding film makers. Last but not least he was a filmmaker in his own right.

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