Following the 2011 nuclear disaster, the Oura family was forced to evacuate their home in Namie-cho, Fukushima Prefecture. Several years later, their eldest daughter Miran, who had moved to Tokyo, began filming her family because she wanted to scrutinize the concept of being considered “disaster survivors.” Amidst shifting familial relations—gradually revealed to the viewer—and the continual shock of the realities they confront, each family member is seen groping for their own “road home.”

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