Osamu Dazai

Osamu Dazai
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Osamu Dazai, mistr introspektivní prózy a neúprosného sebepozorování, v této sbírce povídek otevírá okno do světa lidské osamělosti, trapnosti i tichých gest soucitu. Jeho hrdinové, často na okraji společnosti nebo uvěznění ve vlastních pochybnostech, promlouvají s odzbrojující upřímností a obnažují nejniternější pocity hanby, touhy i marného vzdoru. Dazai dokáže spojit melancholii s jemným humorem, drobný každodenní okamžik s existenciální otázkou a osobní prohru s nečekaným zábleskem lidskosti. Každá povídka je fragmentem jeho typicky syrové, ale zároveň citlivé poetiky, která čtenáře vtahuje svou bezprostředností a schopností vystihnout křehkost člověka v konfrontaci s okolním světem i sebou samým.


Cugaru

Cugaru (2025)

Na první pohled může Cugaru spisovatele Osamu Dazaie působit „jen" jako laskavý a přívětivý cestopis. Mladý muž se po deseti letech vrací z Tokia do rodného kraje, aby čtenáře provedl krajinou nejsevernější části ostrova Honšú. Jak je však u Dazaiových děl zvykem, i zde se skrývají hlubší témata, která jsou pro autora typická: hraní rolí v nefunkční rodině, pocit vykořeněnosti, rozpolcenost a celková životní bezútěšnost. Spolu s mistrem slova a prožitku tak vyrážíme na další dlouho doznívající cestu - nejen krajinou, ale i hlubokým nitrem člověka, kde se odráží všechny křehkosti a protiklady lidské duše.


Self-Portraits: Stories

"Art dies the moment it acquires authority." So said Japan's quintessential rebel writer Osamu Dazai, who, disgusted with the hypocrisy of every kind of establishment, from the nation's obsolete aristocracy to its posturing, warmongering generals, went his own way, even when that meant his death—and the death of others. Faced with pressure to conform, he declared his individuality to the world—in all its self-involved, self-conscious and self-hating glory. "Art", he wrote, "is 'I'." In these short stories, collected and translated by Ralph McCarthy, we can see just how closely Dazai's life mirrored his art and vice versa, as the writer/narrator falls from grace, rises to fame and falls again.Addiction, debt, shame and despair dogged Dazai until his self-inflicted death and yet despite all the lies and deception he resorted to in life, there is an almost fanatical honesty to his writing. And that has made him a hero to generations of readers who see laid bare, in his works, the painful, impossible contradictions inherent in the universal commandment of social life—fit in and do as you are told—as well as the possibility, however desperate, of defiance.  Long out of print, these stories will be a revelation to the legions of new fans of No Longer Human, The Setting Sun and The Flowers of Buffoonery.


Self-Portraits

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Flowers of Buffoonery

The Flowers of Buffoonery opens in a seaside sanatorium where Yozo Oba-the narrator of No Longer Human at a younger age-is being kept after a failed suicide attempt. While he is convalescing, his friends and family visit him, and other patients and nurses drift in and out of his room. Against this dispiriting backdrop, everyone tries to maintain a light-hearted, even clownish atmosphere: playing cards, smoking cigarettes, vying for attention, cracking jokes and trying to make each other laugh.While No Longer Human delves into the darkest corners of human consciousness, The Flowers of Buffoonery pokes fun at these same emotions: the follies and hardships of youth, of love and of self-hatred and depression. A glimpse into the lives of a group of outsiders in pre-war Japan, The Flowers of Buffoonery is a darkly humorous and fresh addition to Osamu Dazai's masterful and intoxicating oeuvre.


Zapadající slunce

Román Zapadající slunce nahlíží na společenský a morální úpadek vládnoucí japonské vrstvy, hlavně aristokracie. Křehkost, emoční síla a poetičnost textu zajistila dílu, podobně jako autorův román Odepsaný, nadčasovost, a výraz „třída zapadajícího slunce" se dokonce ujal i v hovorové japonštině.


Odepsaný

Odepsaný (2022)


Early Light

Early Light (2022)

Early Light offers three very different aspects of Osamu Dazai's genius: the title story relates his misadventures as a drinker and a family man in the terrible fire bombings of Tokyo at the end of WWII. Having lost their own home, he and his wife flee with a new baby boy and their little girl to relatives in Kofu, only to be bombed out anew. "Everything's gone," the father explains to his daughter: "Mr. Rabbit, our shoes, the Ogigari house, the Chino house, they all burned up," "Yeah, they all burned up," she said, still smiling. "One Hundred Views of Mount Fuji," another autobiographical tale, is much more comic: Dazai finds himself unable to escape the famous views, the beauty once immortalized by Hokusai and now reduced to a cliche. In the end, young girls torment him by pressing him into taking their photo before the famous peak: "Goodbye," he hisses through his teeth, "Mount Fuji. Thanks for everything. Click." And the final story is "Villon's Wife," a small masterpiece, which relates the awakening to power of a drunkard's wife. She transforms herself into a woman not to be defeated by anything, not by her husband being a thief, a megalomaniacal writer, and a wastrel. Single-handedly, she saves the day by concluding that "There's nothing wrong with being a monster, is there? As long as we can stay alive."


Zatracenie

Zatracenie (2021)

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Owoce wiśni

Owoce wiśni (2020)

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Goodbye i wybrane opowiadania

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Zmierzch

Zmierzch (2019)

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Člověk ve stínu

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The Setting Sun

This powerful novel of a nation in social and moral crisis was first published by New Directions in 1956.


The Beggar Student

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Schoolgirl

Schoolgirl (1933)

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Girl Who Became a Fisch

Another spectacular collaboration from the Maiden's Bookshelf series, this dark and intense fable by the great giant of postward literature is brought to vivid life by contemporary master Nekosuke. Suwa, a charcoal burner's daughter, lives together with her father in a small village at a foot of a mountain so remote it doesn't even appear on maps. Slowly she comes to realize the dark futility of her life, leading to a strange and elliptical transformation... Dazai depicts the adolescent awakening to death and the desire to escape through this quiet and ominous tale.


Goodbye

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