The complete adventures of Kake, Tom of Finland’s ultimate leatherman, who travelled the world on his motorcycle spreading the gift of ecstatically explicit gay sex. See Tom's own personal fantasies lived out in these 26 episodes of mustaches, muscles and liberated libido, now some of the most famous cartoons in the history of gay art.

Frank Frazetta has reigned as the undisputed king of fantasy art for 50 years, his fame only growing in the years since his death. With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he’s long overdue for this ultimate monograph.Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. He claimed to only make art when there was nothing better to do – he preferred playing baseball - yet began his professional career in comics at age 16. Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him,” and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before. As counterbalance he created a new breed of women, nude as censorship allowed, with pixie faces and multiparous bodies: thick thighed, heavy buttocked, breasts cantilevered out to there, yet still, with their soft bellies and hints of cellulite, believably real. Add in the action, the creatures, the twilit worlds of haunting shadow and Frazetta’s art is addictive as potato chips.

While the original Big Book of Breasts was an overview of busty models of the 1950s, ’60s and ’70s, The Bigger Book of Breasts profiles the top models in encyclopedic form, with personal information and all-new photos, as well as the top models of today. Stars include Virginia Bell, Roberta Pedon, Hitomi Tanaka, Luna Amor, Nadine Jansen, and more. An encyclopedic guide to the biggest-breasted stars past and present The Big Book of Breasts was an immediate best seller when it debuted in 2006. Its 396 pages introduced readers to the top naturally bountiful nude models of the 1950s, ’60s and ’70s, amazingly mammiferous beauties including Virginia Bell, Roberta Pedon, Mary Waters, Keli Stewart and many more. The one and only complaint was that there was no biographical information on these curvaceous cuties, no lists of their magazines and films to give readers a more intimate connection. We listened, and The Bigger Book of Breasts answers! Not only are there more pages with all new photos of your favorite big breast models of the ’50s through ’70s, there are also personal profiles for each and every one. Which model married comedian Richard Pryor? Who inspired Russ Meyer’s first film? Where are those free Mary Waters loops? And yes, Roberta Pedon is alive and well! Further updating the “Bigger” theme, we added the 12 most incredible, natural, and provocative breast models of today, gathered from across the world by Berlin-based photographer, Bernd Daktari Lorenz. Nadine Jansen, Luna Amor, Miosotis Claribel and the incredible Hitomi Tanaka prove breasts are bigger than ever, and bigger is beautiful, for both breasts and books. Wrap it up with stunning photos of our original cover girl Kelly Madison and The Bigger Book of Breasts is a bigger treat for all. The editor Dian Hanson is a senior editor and writer for TASCHEN, with over 50 books to her credit. In addition to ARNOLD, her recent works include The Art of Pin-up, Masterpieces of Fantasy Art, and The Fantastic Worlds of Frank Frazetta. Read here how it all began. The Bigger Book of BreastsHardcover, 30 x 30 cm, 3.68 kg, 448 pages ISBN 978-3-8365-8958-1 Edition: English

The third in Dian Hanson’s wildly successful series on erotic body parts explores how the female leg became central to women’s emancipation, from the French Revolution to the sexual revolution. Over 400 photos document the first burlesque shows of the 1800s, the nylon-mania of the ’40s, and the golden age of leg magazines in the ’60s. Running the gamut of gorgeous gams The female leg is a sexual oddity. Non-genital, and nearly identical in structure to the corresponding male body part, there is no obvious reason why it’s eroticized. Yet, through much of history, across many cultures, the female leg was hidden from sight and treated as such a taboo topic that it became an object of intense sexual obsession. In the Victorian era the word “leg” was so forbidden that it couldn’t be uttered in polite society, lest men be driven wild with lust. Even now, 100 years after women’s legs came out of hiding, their allure remains strong. In this third book of Dian Hanson’s wildly successful body parts series she explores how freeing the female leg became central to women’s liberation, beginning with the post-French Revolution cancan and ending with the 1960’s Sexual Revolution miniskirt. Over 400 photos document the first burlesque “leg shows” of the 1800s, the silk-stockinged flappers of the 1920s, the nylon-mania of the 1940s, the dawn of the stiletto heel in the 1950s, all leading to the golden age of leg magazines in the 1960s. Learn who wore the first high heels, how nylons became a weapon of war, why Betty Grable’s were the million dollar legs, where Elmer Batters got his start, and just what the deal is with feet, while enjoying great vintage photos by Irving Klaw, Batters and other masters of leg art. The editor and author Dian Hanson is a senior editor and writer for TASCHEN, with over 50 books to her credit. In addition to ARNOLD, her recent works include The Art of Pin-up, Masterpieces of Fantasy Art, and The Fantastic Worlds of Frank Frazetta.

This photographic homage to Arnold Schwarzenegger, a decade of collaboration in the making, traces his journey from poverty to Mr. Olympia, to movie star, and to the Governor’s Mansion. The two-volume edition includes portraits by leading photographers – such as Richard Avedon, Annie Leibovitz, Robert Mapplethorpe, Herb Ritts, Francesco Scavullo, and Andy Warhol –, vintage bodybuilding images, film stills, dozens of personal photos from Arnold’s private archive, and exclusive interviews. A big, brawny salute to the world’s favorite muscleman!Collector’s Edition (No. 501–1,947), each copy numbered and signed by Arnold Schwarzenegger.Also available as an Art Edition (No. 1–100) with a framed ChromaLuxe print, numbered and signed by Annie Leibovitz and as a Capitello Edition (No. 101–500) with a Capitello book stand designed by Studio65. It’s Arnold Schwarzenegger: bodybuilder, actor, politician, and fabulous photo subject He’s a four-time Mr. Universe, seven-time Mr. Olympia. His films have grossed four billion dollars worldwide. He won the California governor’s race by a landslide. He has one of the most recognizable faces in the world, an oft-imitated accent, and a physique still heralded as the most perfect ever built. He’s Arnold, the one and only, with first name recognition worldwide, and now with a two-volume Collector’s Edition equal to his impressive size and unabashed ego.A decade of collaboration in the making, this photo tribute covers 75 years of Schwarzenegger, from the future Terminator’s impoverished childhood in Thal, Austria, to his rise as a young athlete, his journey to America to become the most celebrated bodybuilder of all time, to his career as the world’s leading action film star, then into the California governor’s mansion and beyond.Along the journey, Arnold’s muscular body, chiseled features, and charismatic personality made him a favorite subject of photographers, including Richard Avedon, Annie Leibovitz, Robert Mapplethorpe, Herb Ritts, Francesco Scavullo, and Andy Warhol. The big book includes them all, while the smaller companion volume gives you more intimate bodybuilding images, behind-the-scenes film stills, dozens of photos from Arnold’s personal archive, and exclusive interviews with Arnold and those who know him best, including directors Ivan Reitman and Bob Rafelson, and bodybuilding legends Franco Columbu, Dave Draper, and Frank Zane.Collector’s Edition (No. 501–1,947), each copy numbered and signed by Arnold Schwarzenegger.

The Big Butt Book explores our fascination with female booty from high, round and perky to badonkadonk, in over 400 photos, interspersed with interviews including thic goddess Buffie the Body, porn icon John (Buttman) Stagliano, filmmaker Tinto Brass, and artist Robert Crumb, as well as the best and most bootylicious of contemporary butt models. A cornucopia of delectable derrières The Kama Sutra gives detailed instructions on how to spank it. Contemporary Italians touch it for luck before placing a bet. Americans are having it cosmetically enhanced at rates approaching breast enlargement surgery. The female butt, tush, culo, or derrière has always inspired awe, fantasy, and slavish devotion.Curiously, its primary purpose is functional rather than aesthetic: butts balance our bodies while running, according to biologists. But ask any pygophiliac—as fundament fans are clinically termed—and you’ll get the same answer: female hindquarters exist to please the eye, the hands, and parts south. A pert posterior causes instant arousal, as Zora Neale Hurston observed in Their Eyes Were Watching God: "The men noticed her firm buttocks like she had grape fruits in her hip pockets." Or, as rapper Sir Mix-a-lot proclaimed, "My anaconda don’t want none, unless you’ve got buns, hun."Having all but disappeared from western culture in the breast-obsessed second half of the 20th century, the fully formed fanny is currently enjoying a massive resurgence, attributed by some to American actress Jennifer Lopez, by others to the rise of booty-centric hip hop culture. Yet this rage for shapely butts is nothing new. The ancient Greeks worshipped at the temple of Aphrodite Kallipygos, Goddess of the Beautiful Buttocks, while a womanly rump has always been an object of worship in most of the southern hemisphere.The Big Butt Book explores this perennial fascination with female booty—from small and taut to large and sumptuous—in the fourth installment of Dian Hanson’s critically acclaimed body parts series. Over 400 photos from 1900 to the present day, including works by Elmer Batters, Ellen von Unwerth, Jean-Paul Goude, Ralph Gibson, Richard Kern, Jan Saudek, Ed Fox, Terry Richardson and Sante D’Orazio, of butts ranging from petite Pam Anderson’s to sumptuous Serena Williams’, are contextualized by interviews with porn icon John (Buttman) Stagliano, filmmaker Tinto Brass, artist Robert Crumb, bootylicious butt queens Buffie The Body, Coco and Brazil’s Watermelon Woman, plus Eve Howard and her life-long spanking obsession. The editor and author Dian Hanson is a senior editor and writer for TASCHEN, with over 50 books to her credit. In addition to ARNOLD, her recent works include The Art of Pin-up, Masterpieces of Fantasy Art, and The Fantastic Worlds of Frank Frazetta.

Frank Frazetta has reigned as the undisputed lord of fantasy art for 50 years, his fame only growing in the 12 years since his death. His high energy oils of Tarzan, Conan, Vampirella and his signature Death Dealer define not just fantasy worlds, but the bodies that occupy them: fleshy, muscular, tactile and sensual. Winner of a 2023 Eisner Award. Also available in a Collector's Edition Frank Frazetta finally gets the big beautiful book he deserves Frank Frazetta has reigned as the undisputed lord of fantasy art for 50 years, his fame only growing in the 12 years since his death. With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he’s long overdue for this ultimate monograph. Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. He claimed to only make art when there was nothing better to do – he preferred playing baseball - yet began his professional career in comics at age 16. Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him,” and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before. As counterbalance he created a new breed of women, nude as censorship allowed, with pixie faces and multiparous bodies: thick thighed, heavy buttocked, breasts cantilevered out to there, yet still, with their soft bellies and hints of cellulite, believably real. Add in the action, the creatures, the twilit worlds of haunting shadow and Frazetta’s art is addictive as potato chips. This monograph is the most complete ever produced on the artist, done in collaboration with the Frazetta familyand winner of a 2023 Eisner Award.

Tom’s taste for police officers and felons—and for sexual tension between the two—developed late in his career. “I’ve never been to prison,” he told a class at the California Institute of the Arts in 1985, “but I hear it’s a closed world where there are different roles and people behave different from when they walk free. It fascinates me.It is another subject I come back to again and again.” By which he meant fantasized about again and again, since only those subjects that aroused him sexually made it into his art. The uniforms of the California Highway Patrol motorcyclists were his favorite: tan and tight, with high boots and soft black leather gauntlet gloves. He created his own uniform variants as well, a cross between military and civilian police gear, and invented suitably butch criminals for his cops to apprehend, though once apprehended the power struggle could go either way.Tom was determined to show top and bottom as equally masculine roles, and his cops were as likely to end up happily speared by criminal cock as delivering corrective coitus. Though criticized by some for what appeared to be a glorification of power, Tom was always quick to remind that the world he created was a fantasy world, where anything was possible, and everything was consensual—even in prison. The Little Book of Tom: Cops & Robbers explores Tom’s fascination with criminal justice through a mixture of multi-panel comics and single-panel drawings and paintings, all in a compact and affordable 192 pages.Historic film stills and posters, personal photos of Tom, sketches, and Tom’s own reference photos make this far more than another Tom’s Comics re-tread.

This devoted compendium to the female derriere packs a whole lot of big booty into one petite treat of a book. Featuring more than 150 images of the biggest and best rears from The Big Book of Butt, including 30 new mouth-watering images, it’s one irresistible ode to voluptuous curves from the 1950s to today. Cheeky chicks on the cheap How can we pack so much big booty into such a tiny and inexpensive package? Sorry, but it’s a trade secret we can’t divulge, except to say that shoehorns and spandex were involved. The original Big Butt Book featured a great cross section of delectable rears from the 1950s to the present day. Here, since life is such an ironic deal, we decided to pare the original content down to just the biggest and the best, in-your-face phatties to which the great Sir Mix-a-Lot alluded when penning, “My anaconda don’t want none, unless you’ve got buns, hun.” Then we added in about 30 new photos, just to be generous. Now in these 150 plus photos you’ll see the big and the bountiful, then the bigger and more bountiful, in black and white and in color. The models may be largely anonymous, but their curves are legendary, and now that they’re collected in a discrete little package affordable by all in these financially trying times, why hold back? Your badonkadonk is calling. The editor and author Dian Hanson produced a variety of men’s magazines from 1976 to 2001, including Juggs, Outlaw Biker, and Leg Show, before becoming TASCHEN’s Sexy Book Editor. Her titles include the “body part” series, The Art of Pin-up, Psychedelic Sex, and Ren Hang. The Little Big Butt Book Dian Hanson Hardcover, 14 x 19.5 cm, 192 pages ISBN 978-3-8365-7892-9Multilingual Edition: English, French, German

Stand at attention with this pocket-sized army offree, proud, masculine fantasy mencommitted to pleasure and male camaraderie. With multi-panelcomicsand single-paneldrawings and paintings, as well as personal photographs and sketches,The Little Book of Tom: Military Mencelebrates the artist’s most iconic vision ofmasculine perfection. Iconic drawings of hypermasculine military men, Tom-style When we think Tom of Finland we first picture muscular, macho young men in military gear.Tom’s vision of masculine perfection was formed during his service as an officer during World War II. Though he served in the Finnish air force, it was the German troops, stationed in Finland to help the country repel invading Russian forces, which served as inspiration. After all, only the Germans had uniforms created by Hugo Boss, tightly tailored, replete with designer touches, and complimented by high, shiny black leather boots. Tom, at 19, was smitten, an obsession that deepened following his first sexual experiences with German officers in the blackout streets of Helsinki.Tom began putting his military fantasies on paper in 1945 to memorialize his thrilling nighttime encounters when the war ended. At first the Hugo Boss uniforms dominated, but as the years and then decades passed he included American naval uniforms as well, and then his ownhybridized designs of black leather, jodhpurs, boots, and peaked caps, with military insignia replaced by Tom’s Men patches. As Tom attracted an army of loyal fans, he created, with pencil, pen and gouache,an army of free, proud, masculine fantasy men committed to pleasure and male camaraderie.The Little Book of Tom: Military Menexplores Tom’s fascination with militaria through a mixture of multi-panel comics and single-panel drawings and paintings, all in a compact and affordable 192 pages. Historic film stills and posters, personal photos of Tom, sketches, and Tom’s own reference images explore the cultural context and private inspirations behind the ultimate Tom of Finland hero.

Over 150 of the best photos from the original volume are now in this compact book. From Betty Grable to Bettie Page, the greatest legs of the 20th Century are here, shot by Irving Klaw, Bunny Yeager and Elmer Batters.Silk stockings, high heels, curvy calves, taut thighs, playful toes – and no troublesome text – could leg love get any sweeter? Legs, legs, and more legs for a song Many loved The Big Book of Legs but some found it just too darn big, weighing in at nearly seven pounds. True, it was packed with shapely legs spanning six decades, from the first shy emergence of the ankle in the 1910s, through the rolled stockings and rouged knees of the 1920s, to the Betty Grable ’40s, the stockinged and stilettoed ’50s, on into the sexually liberated ’60s and ’70s, but it could still put a dent in your own thighs if you sat reading for too long. Fortunately here at TASCHEN we listen to your groans of agony as well as your moans of ecstasy; thus, this light and portable new edition, packing over 100 of the choicest photos from the original volume, as well as 38 new photos, into a compact (and frankly adorable) package. From Betty Grable to Bettie Page, the greatest legs of the 20th Century can be found within, shot by Irving Klaw, Bunny Yeager, and the incomparable Elmer Batters, father of leg art. There are silk and nylon stockings, high heels in abundance, curvy calves, taut thighs, playful toes and towering arches—with no bothersome text to get in the way. Could leg love get any sweeter? The editor and author Dian Hanson produced a variety of men’s magazines from 1976 to 2001, including Juggs, Outlaw Biker, and Leg Show, before becoming TASCHEN’s Sexy Book Editor. Her titles include the “body part” series, The Art of Pin-up, Psychedelic Sex, and Ren Hang. The Little Big Book of Legs Dian Hanson Hardcover, 14 x 19.5 cm, 192 pages ISBN 978-3-8365-8036-6Multilingual Edition: English, French, German

As a boy, Tom’s first crush was a strapping young farmhand who worked the fields around his family home. Finland is a land of tough physical men, catching fish in the icy sea; cutting logs in the endless forests; threshing oats, rye, and barley on the farms. Tom, a more sensitive boy, admired these rough men and their distinctive clothing, designed for protection and utility.He later said, “When I was young, leather was worn by people who worked outside because it was warm. All the men who wore leather, they were the type of men which I adored.”When he began to draw he celebrated these early idols, improving their wardrobes with tight jeans, faded T-shirts, and thigh-high beak-toed Lappish boots. It was a young logger in this gear who appeared on the spring 1957 cover of Physique Pictorial, introducing Tom to the world.In the decades to follow Tom added truckers, repairmen, construction workers, circus roustabouts, and the American cowboy to his roster of working-class heroes. Though just sexual fantasies for him, his portrayal of blue-collar lovers helped working class gays accept their true selves. The Little Book of Tom: Blue Collar traces Tom’s fascination with working men in one compact and affordable package.A brawny lineup of multi-panel comics and single-panel drawings and paintings is set alongside archival and contextual material, including historic film stills and posters, personal photos of Tom, sketches, and Tom’s own reference photos.

Tom of Finland fell for Marlon Brando asThe Wild Oneand createda fantasy world of hyper-masculine motorcycle outlaws– loving other hyper-masculine outlaws. Get your hands on his avatar Kake, andover 200 more leather-clad hard riders– and we mean hard – in 192 compact pages. Leather-clad outlaws with big strong motorcycles In 1953 Marlon Brando donned a black leather Perfecto motorcycle jacket, military cap, denim jeans, and engineer boots to portray Johnny, sneering leader of the Black Rebel Motorcycle Club, inThe Wild One. In 1954Tom of Finlandabandoned brown leather in his artwork to create his own wild ones:muscular, hyper-masculine, black leather-clad rebelswith powerful engines between their legs. The look was adopted by the Satyrs Motorcycle Club, the first gay outlaw club, that same year, making Tom’s fantasy world reality. Of course, being Tom, he soon customized hisnew gay icons, adding leather jodhpurs, knee high boots and leather caps, and every motorcycle bore the brand name “Tom” on the gas tank.Tom’s bikers first appeared as two “Motorcycle Boys” inPhysique Pictorial, Winter 1958. Another made the cover of the April 1960 issue. Bikers dominated hisPPcontent from then on, as a nod to its American readership as much as his growing obsession. When he sought an ongoing character, a personal avatar, in 1968,he created Kake as the ultimate biker leatherman, and elaborated on his riding adventures – of every kind - through 26-panel stories. Tom adopted Kake’s gear as his own, presenting in black leather jacket, white t-shirt, jeans, and high boots to the end of his life.The Little Book of Tom: Bikersincludes Tom’s earliest images forPhysique Pictorial, Kake in motorcycle gear, biker panel stories, and sizzling single drawings, all packed into192 pages of sexy, masculine men enjoying other masculine menin black leather, blue jeans, and high black boots. On bikes.

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Compact in format but no less magnificently endowed, The Big Penis Book will delight even the most hardened aficionado of the male member. No half-cocked measures here, as we celebrate the rampant hardware of 150 models from the 1940s to the ’90s, including photos by Bob Mizer of AMG, David Hurles of Old Reliable, and Rip Colt of Colt Studio. So Small Yet So Big Big endowments + small package: major savings “Sirs” begins the missive from our imaginary correspondent. “It’s not that I don’t love your original Big Penis Book, but that, perhaps, I love it too much. I now become anxious leaving the house without it, and long business trips are simply torture. Couldn’t you make a smaller, less obtrusive edition, still packed with men whose generative members measure over 8 inches, that doesn’t form a suspiciously large bulge in my carry-on luggage? And while you’re at it, could you make it highly affordable, since my pockets are as shallow as this premise?” Done! The Big Penis Book features over 150 massively endowed models from the 1940s through the ’90s, including photos by Bob Mizer of AMG, David Hurles of Old Reliable, Rip Colt of Colt Studio, Craig Calvin Anderson of Sierra Domino, Hal Roth of Filmco, Jim Jaeger of Third World Studios, Falcon Studios, Mike Arlen, Fred Bisonnes, Carlos Quiroz, and Charles Hovland in a compact and inexpensive format. Photos come not just from the original overstuffed 384-page edition, but from subsequent Big Penis Calendars, meaning that 30% of the content is unique to this edition. Add a reduced text to make more room for the stunning black-and-white and color photos and how could anyone—big, small, or just right—ask for a better deal? The editor Dian Hanson produced a variety of men’s magazines from 1976 to 2001, including Juggs, Outlaw Biker, and Leg Show, before becoming TASCHEN’s Sexy Book Editor. Her titles include the “body part” series, The Art of Pin-up, Psychedelic Sex, and Ren Hang. The Big Penis Book Dian Hanson Hardcover, 14 x 19.5 cm, 0.42 kg, 192 pages

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Alberto Vargas took over Esquire magazine’s monthly pin-up post in late 1940. By 1942, when the U.S. joined the war, he had more than a million ardent enlisted fans who carried his pin-ups in backpacks and duffel bags as reminders of the American girls they'd left behind. When Esquire was charged with obscenity over a particularly spicy pin-up in 1943 the military stepped in to fight for The Varga Girl, declaring her necessary to maintain the morale of young fighting men. Today these wartime pin-ups are the most collectible of Vargas’s work. Find them all in this pocket-sized delight.

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They have little to do with the standard procreative urge, Mr. Crumb admits. He has also said he finds nothing more boring than someone else’s sexual obsessions, and yet through his long career the world’s most famous underground cartoonist has felt compelled to include his own sex fantasies in his art. He explains it as a compulsive catharsis, while fans call R. Crumb’s erotic fantasies the Master at his best. Now Crumb has selected his most intimately revealing comic strips and single page drawings to create a 258 page encyclopedic trip through his sexual psyche. All images were created between 1980 and 2006, and all strips are hand-colored for a lush vibrancy never seen in his comic books. In total the book features 14 complete stories, including My Troubles With Women, If I Were a King, A Bitchin’ Bod, and How To Have Fun With a Strong Girl, as well as 60 single page drawings. The artist admits it’s a little scary to see his most fevered obsessions collected end to end like this, but fans will find Robert Crumb’s Sex Obsessions a fascinating peek inside an often tortured, always brilliantly talented mind, as well as an unparalleled collector’s item.This signed limited edition of 1,000 copies is a work of art in itself, with every part of the book—front and back covers, spine, and introductory pages—created for this project by Robert Crumb. Each book also comes with a pigment print by Mr. Crumb. Contributors The artist Robert Crumb first found fame with Zap comics in 1968. Subsequent comics include Snatch, Big Ass, Despair, Weirdo and Hup. He starred in the Oscar nominated 1994 film Crumb, and has produced many books, including TASCHEN’s Sex Obsessions. The editor Dian Hanson produced a variety of men’s magazines from 1976 to 2001, including Juggs, Outlaw Biker, and Leg Show, before becoming TASCHEN’s Sexy Book editor. Her 60+ books for TASCHEN include The Art of Pin-up and Psychedelic Sex. She lives in Los Angeles.

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Back in 1974, the sexual revolution was in full swing and the adult entertainment business was on the verge of becoming Big Business. Deep Throat had created America’s first porn star in 1972, but by 1974 Linda Lovelace was already retired and the industry was seeking the next big thing. Vanessa del Rio should have been that thing, except in 1974 there were no ethnic sex stars. Undeterred, Vanessa took any role they’d give her, because, amazingly, she was there for the sex more than the money. Fans, awed by her ferocious onscreen sexuality, made her a top box office draw and America’s first Latina star. Retired since 1986, Vanessa del Rio remains a sexual icon who cuts across all ethnic boundaries. In this sumptuous over-sized volume, TASCHEN celebrates a remarkably candid, confident and exuberantly sexual woman. Presented through Vanessa’s own archive, in her own words, is a life at once shocking, titillating, amusing, and inspiring. And because paper and ink can’t do justice to a personality this big, an original 140 minute DVD documentary is included. If you aren’t already convinced, this book will end all doubt that there could ever be another woman like Vanessa del Rio. Vanessa del Rio is limited to a total of 1,500 numbered copies, each signed by Vanessa • 1,300 copies in the Collector's Edition • 200 copies in the Art Edition, with a signed watercolor lithograph of Vanessa by acclaimed artist Robert Crumb

Back in 1974, the sexual revolution was in full swing and the adult entertainment business was on the verge of becoming Big Business. Deep Throat had created America’s first porn star in 1972, but by 1974 Linda Lovelace was already retired and the industry was seeking the next big thing. Vanessa del Rio should have been that thing, except in 1974 there were no ethnic sex stars. Undeterred, Vanessa took any role they’d give her, because, amazingly, she was there for the sex more than the money. Fans, awed by her ferocious onscreen sexuality, made her a top box office draw and America’s first Latina star. Retired since 1986, Vanessa del Rio remains a sexual icon who cuts across all ethnic boundaries. What her fans don’t know is that her real life was, and is, as wild as anything she did on film. In this sumptuous over-sized volume, TASCHEN celebrates a remarkably candid, confident and exuberantly sexual woman. Presented through Vanessa’s own archive, in her own words, is a life at once shocking, titillating, amusing, and inspiring. And because paper and ink can’t do justice to a personality this big, an original 140 minute DVD documentary is included. If you aren’t already convinced, this book will end all doubt that there could ever be another woman like Vanessa del Rio. Vanessa del Rio is limited to a total of 1,500 numbered copies, each signed by Vanessa • 200 copies in the Art Edition, with a signed watercolor lithograph of Vanessa by acclaimed artist Robert Crumb (frame not included)