David Hockney (1937)

David Hockney
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The World According to David Hockney

A collection of legendary British artist David Hockney’s insights into art, life, nature, creativity and much more. ‘I’ve always been a looker ... that’s what artists do’ This anthology of quotations by David Hockney follows in the successful format of ‘The World According to’ series.Ranging across topics including drawing, photography, nature, creativity, the internet and much more, The World According to David Hockney offers a delightful and engaging overview of the artist’s inimitable spirit, personality and opinions. From everyday observations – ‘The eye is always moving; if it isn’t moving you are dead’ – to artistic insights such as ‘painted colour always will be better than printed colour, because it is the pigment itself’, as well as musings on other image makers, including Caravaggio, Cézanne and Hokusai, Hockney has a knack for capturing profound truths in pithy statements. Born in Bradford, England, in 1937, Hockney attended art school in London before moving to Los Angeles in the 1960s.There, he painted his famous swimming pool paintings, and since then has embraced a range of media including photocollage, video and digital technologies. In a 2011 poll of more than 1,000 British artists, Hockney was voted the most influential British artist of all time. Presented as a beautifully designed and attractive package, illustrated with works of art from throughout Hockney's career, this is the perfect gift for art lovers everywhere.


David Hockney. My Window

When David Hockney discovered the iPhone as an artistic medium, it opened up entirely new possibilities for his art. He made his first digital drawings in spring 2009, describing the morning landscape in broad lines and dazzling colors directly on a display that offered subtle hues as unmixed expressions of pure light. Then in 2010, Hockney started working with an iPad, and the larger screen expanded his artistic repertoire and enabled an even more complex interplay of color, light, and line.Each image in this book captures a fleeting moment seen through a window in Hockney's Yorkshire home: from vibrant sunrise and lilac morning sky to peaceful night-time impressions or the sudden arrival of spring. Fascinating details reveal drops on window panes, distant lights in the night, reflections on vases or an abundance of varied window-sill vegetation. In 120 drawings made between 2009 and 2012, selected and arranged by the artist himself, we experience the passage of time through the eyes of David Hockney.This artist's book, which first appeared in an exclusive signed edition, now returns as an unlimited run, whose still generous XL format presents Hockney's impressions in brilliant resolution. So now is the perfect occasion to heed the advice of the Times critic regarding this book: "If you would like to be given a bouquet by David Hockney, here is your chance."


David Hockney. A Chronology. 40th Anniversary Edition

Pop artist, painter of modern life, landscape painter, master of color, explorer of image and perception-for six decades, David Hockney has been known as an artist who always finds new ways of exploring the world and its representational possibilities. He has consistently created unforgettable images: works with graphic lines and integrated text in the Swinging Sixties in London; the famous swimming pool series as a representation of the 1970s California lifestyle; closely observed portraits and brightly colored, oversized landscapes after his eventual return to his native Yorkshire. In addition to drawings in which he transfers what he sees directly onto paper, there are multiperspective Polaroid collages that open up the space into a myriad of detailed views, and iPad drawings in which he captures light using a most modern medium-testaments to Hockney's enduring delight in experimentation.


Peter Blake: Collage

The first complete overview of collage by the much-loved founder of Pop, Peter Blake I feel free to go anywhere in the realm of art. I believe that you can be diverse and serious at the same time. There are no fences and no gates. -Peter Blake Peter Blake is one of Britain’s best-loved artists. A founder of British Pop art in the 1950s and widely known for his cover design for The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album, his celebration of popular culture is set in the public consciousness. In a career spanning seven decades, the practice of collage has remained at the heart of his iconic, groundbreaking imagery, from his early paintings depicting fragments of popular ephemera, to his found-object assemblages and constructions, his pasted-paper collages and his most recent use of inkjet printing and digital processes. Peter Blake Collage provides the first comprehensive overview of Blake’s collage-making practice. With a foreword by David Hockney, an essay by Patrick Elliott, Chief Curator of the Scottish National Gallery of Modern Art, Edinburgh, a recent interview with Peter Blake by Natalie Rudd, Senior Curator of the Arts Council Collection, over 250 colour reproductions and a newly compiled illustrated chronology. '‘Peter understands that collage places one time on top of another, and so they present more than one perspective. His work looks back...but they are always really about the now and contemporary culture. Nobody has done anything quite like them. They’re terrific’' David Hockney '‘[Blake’s] collages display a pathological passion for collecting, sorting, grading and swapping things…. Blake is the puppet master, who makes things come to life, who transforms dreams into reality’ ' Patrick Elliott, Senior Curator, National Galleries of Scotland


A History of Pictures

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Tajemství obrazu - Od jeskynních maleb po chytré telefony

Autoři tvrdí, že film, fotografie, malba a kresba jsou hluboce propojené. Na zásadních dílech dějin umění jednoduchým způsobem seznamují mladé lidi s důležitými pojmy a pomáhají jim je pochopit. Jak se projevuje pohyb na statickém snímku? Jakým způsobem lze ve statickém obrazu zachytit čas a prostor? Jak filmy a televize souvisejí se starými mistry? A co vlastně obrazy ukazují – je to realita? Kniha dále sleduje klíčové okamžiky a zvraty ve způsobu zachycování skutečnosti a zahrnuje ilustrovanou časovou osu důležitých vynálezů. Rozhodně by neměla chybět v knihovničce žádného milovníka vizuálního umění, ale jako zajímavé čtení a průvodce světem umění a zobrazování vůbec ji ocení úplně každý.


A History of Pictures for Children

A History of Pictures for Children takes readers on a journey through art history, from early art drawn on cave walls to the images we make today on our computers and phone cameras. Based on the bestselling book for adults, this children's edition of A History of Pictures is told through conversations between the artist David Hockney and the author Martin Gayford, who talk about art with inspiring simplicity and clarity. Rose Blake's illustrations illuminate the narratives of both authors to bring the history of art alive for a young audience.


David Hockney. A Bigger Book (Limited Collector’s Edition)

Hardcover, 50 x 70 cm (19.6 x 27.5 in.), 498 pages, 13 fold-outs, with an adjustable bookstand designed by Marc Newson, plus an illustrated 680-page chronology book A Bigger Book, TASCHEN’s SUMO-sized David Hockney monograph, is as spectacular in format as it is in scope. In it, the artist takes stock of more than 60 years of work, from his teenage days at the Bradford School of Art, through his breakthrough in 1960s Swinging London, life by Los Angeles pools in the 1970s, up to his recent extensive series of portraits, iPad drawings, and Yorkshire landscapes. Never before has Hockney’s oeuvre been published on such an astonishing and immersive scale. As each page unfurls in a blaze of blues, pinks, greens, and oranges, we are spellbound both by the artist’s vibrancy as a colorist and his extraordinary sense of the conditions of the world that surrounds us. Through Hockney’s restless interrogation of perception and representation, we witness the mellow sheen of light on a muddy Yorkshire puddle, the ochre enormities of A Bigger Grand Canyon, the rustic majesty of Bigger Trees near Warter, and, of course, A Bigger Splash, with the exquisite sparkle of a turquoise pool beneath an iridescent California sky. These major paintings are joined by the artist’s drawings, photo-composites, multi-perspective collages, stage designs, multi-camera video works, and iPad drawings, each a panoply of looking and showing in different styles and media.


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